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Hey buddy. Look, I’m so sorry to interrupt you. That was not my intention at all. I just wanted to draw your attention to the fact that you are actually in a public space right now, and not your living room. We all are. All of us put in a similar amount of effort as you to buy tickets, show up on time, and all face the same direction sort of for the same reason as you. And that is to see Annie Clark do a St. Vincent show. And I totally get it; the amount of time she is spending making banter with the audience (which they call “crowd work (that is to say it happens often enough that all of the people who do it have an industry term for this, for talking between songs, to engage the crowd in this manner)) is time that is taken away from playing “the hits.”
But buddy, ya gotta wait til the show’s over to complain. I know, I know, sweety, it’s OK. It is boring to hear talking instead of music, you’re right, but imagine how all of us feel right now, hearing you talking instead of Annie Clark.
Throughout December, CHIRP Radio presents its volunteers’ top albums of 2014. Our next list is from DJ (6-9am Thursdays) Amelia Hruby. Sitting down to make this year's list wasn't so tough. Looking back through my library and 2014 playlists, I found that I had marked a number of stand-out albums that jumped onto the list without a second thought. You may notice that 7/10 are female soloist or female-fronted groups. That wasn't particularly on purpose, women just seemed to run the rock world this year. You go girls! |
It's the holiday season, which means Christmas music. Lots and lots or Christmas music, most of which was written before the people listening to it were even alive. While "Jingle Bells" and "We Three Kings" are great, and resilient, we're devoting this year to finding the best Christmas song written since 1989. We continue today with #19, and the best (and possibly only) use of sleigh bells in an Outkast song.
It's the holiday season, which means Christmas music. Lots and lots or Christmas music, most of which was written before the people listening to it were even alive. While "Jingle Bells" and "We Three Kings" are great, and resilient, we're devoting this year to finding the best Christmas song written since 1989. We continue today with #20, and Rufus Wainwright's uncanny ability to write songs that sound 70 years old.
It's the holiday season, which means Christmas music. Lots and lots or Christmas music, most of which was written before the people listening to it were even alive. While "Jingle Bells" and "We Three Kings" are great, and resilient, we're devoting this year to finding the best Christmas song written since 1989. We continue today with #21, and an ode to holiday travel by the Jesus of Cool himself, Nick Lowe.
#21: Nick Lowe, "Christmas at the Airport" (2013)
When Nick Lowe released his first Christmas album, Quality Street: A Seasonal Selection for All the Family, in 2013, it didn't come as much of a surprise. Writing "Cruel To Be Kind" alone earned him the leeway to sing whatever he damned well pleases. What did surprise was the quality of the work; this was no phoned-in cash grab, or (even worse) a too-cool-for-school attempt at social commentary. The songs were good, and fresh; aside from "Silent Night," Lowe stayed away from any of the done-to-death usual suspects from the holiday songbook. That freshness also extended to Lowe's own performance. The man sounds downright lively; just try not to shake your ass during his country-fried take on traditional spiritual "Children, Go Where I Send Thee." I'll wait.
Your ass has shaken. You have failed.
In addition to curating a great set of overlooked Christmas tunes, Lowe also lent his own songwriting skill to the holiday canon. Of the three originals, "Christmas at the Airport" got the most attention at the time, and with good reason. Set during a nightmare layover, Lowe combats the frozen hellscape and creeping ennui with music-hall humor and a little jangly guitar. In addition to adding a little leavity to a situation that would give most people a mean case of the howling fantods, Lowe's song is just catchy, and probably the best song set in an airport since the Divine Comedy's "Come Home, Billy Bird." As critic Stephen Thomas Erlewine said in his AllMusic review, "it speaks to the other side of Christmas, so it feels like it could be a Christmas perennial, a tart bit of counter-programming in a holiday season that can get too sticky and sweet."
After a career loaded with high points, Lowe can finally check "write a holiday standard" off of his to-do list.